High net worth (HNW)

Interview: Katie Small: Carving a niche

As RK Harrison’s head of private wealth – and its first female board member – Katie Small is a big believer in specialist solutions. She tells Post about her journey to success and reveals her plans to grow her division

Interview: Steve Langan: Onwards and upwards

Concerned that the wider industry is dangerously out of touch when it comes to technology, servicing customers and advertising, Hiscox UK managing director Steve Langan tells Post how his firm keeps up with the times.

Aqua relaunches HNW home wordings

Aqua Underwriting has moved to revitalises its high net worth home wordings to enhance cover, expanding the range of risks protected.

Interview: Chris Hall - A quest for success

A decade ago Chris Hall led a small team that risked it all to buy loss adjuster Questgates. Now it is worth £11m – and the managing director hopes to double that figure within the next 10 years.

High Net Worth: Worth the effort

Research by Home & Legacy suggest there is little consensus in what constitutes a mid or high-net-worth customer. But what does this mean for the market?

Oak MD Trott to retire

Bob Trott, who has led Oak Underwriting since 2003, is to retire at the end of June, with RSA personal lines broker MD Jill White set to temporarily replace him.

High Net Worth: Rich Pickings

With an increase in providers of high net worth insurance in recent years, wealthy customers have plenty to choose from. What can firms do to stand out from the crowd?

Markerstudy backs HNW start-up

Markerstudy is backing a new motor high-net-worth managing general agent by providing 100% of its capacity as well as a bespoke claims service, and logistical and advisory support.

Plum launches MNW focused home product

Specialist household provider Plum has launched a new home insurance product, while HNW broker Castleacre has revealed that property rates can vary by as much as 8%.

Fine art: State of the art

The sky-high value of fine art necessitates appropriate cover but, as well as the obvious threat of theft, what else must be considered when insuring artwork?

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